OMD's
review of the whole 3 days |
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The
emotional roller coaster of organising the SAS is one much
commented on both negatively and positively. The 30 band specials
I attempt to squeeze in, and naively try to pull off without
the use of allegedly big names is equally remarked upon, but
in this instance the utterances all seem to pertain to ‘madness’.
With a sleepless night and a busy days work under my belt
I arrived at the Thatched House in Stockport at 4pm complete
with CD’s for sale (gotta balance them books), cumbersome
backdrop, flyers (as if this gig ain’t enough), liquid
refreshments (Carlsberg, Vimto and Water), 2 Ham Barm Cakes,
a Mars bar, wristbands, running orders, a hammer (for putting
up aforementioned backdrop - but you never know) and a half
eaten bag of Jelly Babies (lovely stuff and a vital sugar
booster). With a bit of ingenious metal bending the large
SAS backdrop was easily put up and the small Fungalpunk sheet
was no problem at all. Landlord Banjo and friend fucked off,
landlady Lisa went upstairs and I passed an hour snoozing
and playing pool with myself (I even lost – fuck it).
Banjo
reappeared as did sound guy Steve and gear was set up and
the first faces started appearing. A slow trickle but in truth
I wasn’t expecting much. Thanks to the brilliant foresight
of other promoters I was really up against some stiff competition
this weekend, the biggest opposing force of all being tomorrows
City Invasion. Again I say – why can’t the scene
work together? For me it is totally frustrating and baffling
to say the least but big fish in little ponds is an occurrence
in all walks of life. Now you may say my crazed mind was playing
tricks at this point but I was still of a belief that despite
all the gigs going on this weekend the place to be at for
top music, top company and to experience some real approachable,
unaffected punk rock would be The Thatched House in Stockport.
I know this place inside out and it is a choice venue when
the vibes are right and some good bands are playing well,
and the next 3 days promised a classic. The expected low crowd
was a real sore point for me because as a promoter the priority
is getting bands seen as well as making new contacts and having
a good time. Well if the fuckers don’t turn up I am
sure all involved will enjoy it – I bloody well hope
so.
At
6.15 prompt the gig decisively didn’t kick off! Reason?
The Sounds of Swami were running late. These scatter brained
buggers are a right bunch and cause me no end of worry with
their sketchy time-keeping and disastrous diary scheduling.
They had informed me this week that they thought they were
playing on a Friday despite being listed on my site for a
few months as playing on the Sunday. So the opener on Friday
was arranged which they duly took (great spirit there so take
note egotists) and the 6 band squeeze was now a 7 band squash.
15 minutes late the young rapscallions arrived and with no
fuss commenced to set up and get on with the job at hand.
And
the revieweth starts…
The
wait had added to my worries but believe me, as per usual, it
had been worth it. I really do think Sounds of Swami are getting
better with every viewing and this was their fourth gig for me
and, honestly and truthfully, the best yet. Really too good for
an opening slot but all bands who play the SAS have to do their
bit and these guys did it without complaint. For a young bunch
their attitude is very much appreciated and the hard, edgy sound
they dish out is truly enjoyable. The stage performance is committed
and totally convincing and one of the pleasures of watching the
SOS lads is that they are clearly having a good time and happy
in each others company. They are one of those bands you hope never
give up their musical talents and throughout their lives will
always be involved with the scene as playing artists, preferably
in the same format as I see them tonight. Brilliant! Best songs
– hey all good but the most notable one is the one I can
never remember the name of so make up your own mind. What better
way to start the 3 days. Cheers lads and the calendar and Rolex
watch is in the post!
The
crowd swelled a little more and The Guilty Pleasures hit the stage
and were received mighty finely by the heads in the gaff so far.
I have always enjoyed this band and during numerous line-up changes
and through times of misdirection I feel they have still to fulfil
their true potential. Now they play as a 3-piece and it hasn’t
affected the sound one bit, in fact they are now a more fully
functioning outfit and seem a lot more focussed. James is a great
frontman and guitarist Johan has come on leaps and bounds and
instead of creating an image now seems happy to be himself and
get on with the job. With a solid drummer at the back it looks
as though the GP’s are finally coming together but they
need to get some new stuff recorded and set about doing some serious
gigging in all areas. News of them being kicked off tomorrow nights
City Invasion along with the aftershow party didn’t depress
me one bit as the street scene is the GP’s hunting ground
and the place they should set about thriving in before reaching
out to compete on the big stage. A very good set and one on which
to build. As always ‘Stand Up And Stop The Fighting’
was most notable along with a few newer tracks which have a fair
buzz about them. Expected and given – good stuff!
A
few more heads in – ooooh – looking promising and
the Redneck Zombies flew into undead action with a cavalcade of
corpse awakening songs that would wake the most reticent of crowds.
This 3-piece outfit play gigs almost exclusively for the SAS/Fungalpunk
Tour (lucky bastard me eh) due to the members other commitments
with other bands, namely The Business and Helsinki 7. This maybe
the 4th gig I have had the good fortune to put them on and as
usual it was a stormer. Frontman Bundie plays the crowd to a tee
and his insulting banter is never taken the wrong way partly due
to the fact that he has a winning smile and is a bit of a fuckin’
charmer (you won’t bed me you twat ha, ha)! He is a real
top bloke too but this shouldn’t detract from his two allies
who are great guys and really effective musicians. It is a winning
trio and despite constant queries about CD’s and merchandise
nothing ever comes of it. There are some brilliant songs in the
set and every time I think ‘make mental note of that songs
title’ I totally forget within days. A CD would obviously
help to rubber stamp these dittys onto the frazzled punk minds
and more gigs would be most welcome. Overall a fuckin’ excellent
crowd pleasing do and apparently I will be flogging some CD’s
for them real soon – get your wallets and purses ready.
Also I was given a Redneck Zombies T-shirt and one was given away
halfway through the set so things are looking up. My T-shirt will
be worn with pride and hopefully the Fungal One and the Zombie
crew can get some more shit together real soon.
The
Scabs for me are always class and although what the more cynical
critiques may call a bog standard band I feel the simplistic brand
of argy bargy punk rock this 4-piece dish out is fully justifiable
and highly creditable. Steve is a top frontman and an off the
stage mate of mine and leads this outfit with fiery, emboldened
passion kicking off tonight with hammer in hand, intent on a rip
roaring set. It was maintained throughout and his colleagues provided
a solid backdrop for him to blaze a mighty vocal trail. Every
song for me is as good as the next and I have yet to see The Scabs
and come away disappointed. The true cream tonight came in the
form ‘Police Brutality’ and the rock hard ‘Bastard’.
Not everyone’s flavour but for hardened long-term punkers
a definite must.
And
so onto The Kirkz (with a Z – see that, a real unadulterated
Z – right on the end – not an S but a bold, strong,
righteous Z - you can stick your crummy, insignificant little
S – I am now a Z man – K I R K………Z
– there you go lads). Now despite being distracted here
and there with more arriving punters and bands, plus a few chinwags,
I did see enough of the Kirkz (oh yes I am really in the Z groove
now) to realise this was a thumping performance that set the place
alight. They had in truth the best crowd of the night and really
played it for all it was worth and frontman Max is a rejuvenated
leader that never once strayed into that mystic land of Bell-Endus!
I say this with tongue in cheek but this chirpy chap can occasionally
be the said ‘Dicketh Dometh’ but lately has learnt
a new found delivery and stays remarkably fun and interactive
without becoming phallically idiotic! I have been watching these
‘erbert’s for some time now and at this point in time
they are really at their best. Highly recommended viewing and
these guys need to fly the local nest and drop the musical eggs
in other starved areas. On this evidence I can’t think of
anywhere they wouldn’t go down well except for the local
nursing home for those of a nervous disposition. ‘State
of Emergency’ was the pick from the nights bowl of cherries
– ta lads!
With
a decent turn-out now and several inebriants staggering around
(Tim Davies has been worse folks) the next band got up and at
em’. One Man Down are a rough edged outfit who come at you
with a distinct hardcore edge grinding out some deliciously meaty
tunes awash with puke stained venom and bleary eyed hatred. This
was their SAS debut and their commitment and company was highly
noted and on this very sole performance I can think of no reason
not to offer them more. The set was slightly drink affected with
a few loose moments but hey – what’s wrong with a
few oils you miserable twats. It didn’t ruin it for me and
the whole set was a delight. Yes my lads – let’s get
you back for some more.
The
Red Eyes are a band I have been anticipating for a long time and
after giving my mates Jase and Jordan a sneak preview they were
so impressed they got the entire CD collection. Thus to help the
gig it was arranged that this fine Scottish outfit could kip over
at Jase’s house and play another set tomorrow on the Saturday
– nice touch and a wise decision all round. This was a fuckin’
masterclass of clinical excellence with all songs executed in
an impressive professional manner with ‘Norah Louise Kuzmah’
and ‘Wake Up Call’ truly memorable. The cover of ‘Tomorrows
Girls’ was nailed with ease and highlighted to any doubters
what a good outfit we were all witnessing. No need for fuckin’
about or any distracting gimmickry – this was a musical
feast to gorge on and I swallowed the lot. The last time I saw
frontman Alan he was playing for a band called Hanx back in 1996
at Blackpool – a SLF covers band. I hate covers bands but
these were not half bad but nothing compared to this piece of
quality. A crackin’ ending to a crackin’ night of
faultless punk and the SAS had kicked off (again) in fine style.
Don’t
forget most of these bands are picked personally by me after various
investigatory procedures as regards attitude and talent and here
it all paid dividends. People say I am mad because I don’t
use ‘top bands’ to headline. Fuck em’ all –
who needs em’ when the underdog is chomping so sharply.
1
day and 7 bands down – 2 days and 24 bands to go –
fuckin’ ell. Off to the Chippy with Slit Boy Dean and home
to share a few butties. Dean
duely left and I went to bed shattered but happy with proceedings
so far. See ya tomorrow.
Up
at the crack and quickly sorted and fed then out to Morrisons
for 3 large bottles of bronze. I hit The Thatched at 11am
and had a snifter with One Man Down and chums who had kipped
overnight in the beer garden (remember what I said about commitment).
The tent they used failed to keep out the cold and all looked
a bit worse for wear. What better way to warm up than with
2 bottles of bronze and a banana each. In fact these crazed
buggers decided to dip their bananas in their sherry and eat
slowly. Banana Sherry Cocktails – now there’s
an idea. I had my banana first and set about nailing a bottle
of the old Q after an hour of good chinwagging and much merriment.
With
seventy cans at my side I was sure I would last the day without
the need to re-stock - hope so!
After
the sound was checked and a few bands arrived The Scatter
(ex Pirates of Heroes) were welcomed and kicked off the days
event at 1.15pm prompt. What a great start it was too and
after a previous viewing and a listen of their initial release
it was my good luck to bag this lot as the opening act for
the day. There is an overflow of talent here ready to burst
forth and some of the songs are truly infectious. ‘Long
Shot’ and ‘Little Miss One Night Stand’
were the true delights and came from a demo CD that is worth
seeking out. More to come for this lot and a damn fine slot
next year.
Global
Parasite next and straight from ska to hardcore is an example
of what the SAS is all about. No fuckin’ restrictions
and many flavours giving all in attendance a chance to hear
many sub-genres of the ska/punk scene. I love this outfit
and over the short period of time they have been around they
have improved remarkably. The screaming vocals from guitarist
and drummer switch nicely and each and every song is a brutal
assault draped in anti-stance attire. ‘Scream At The
World’ was the choice today and I hope this band keep
on doing just that. Always my pleasure.
New
SAS inclusions Smack Rats were a band I was recommended and
when they got in touch as usual I gave them a slot. Why not
indeed – I find it refreshing to sometimes take a risk
and with a 30 band festival it is essential criteria to do
just that to make the gig exciting and challenging for all.
This one paid off in fine style and really woke the crowd
up with some blazing tunes that were fanned by the frenetic,
frenzied behaviour of the frontman who screamed in people’s
faces, climbed on the bar, grappled people to the floor and
spasmodically writhed and wriggled his way through one helluva
energetic set. Of course this unhinged frontman was the main
focal point of the punters but I sneakily watched the band
too and they weren’t half bad. More again will follow
for this lot and dependant on whether the frontman keeps his
performances from falling into the abyss of ‘plain old
annoying’ these should do as well as they did today
– which was absolutely fine. Great addition to the day’s
proceedings – thanks fellars.
After
a few tins of beer and a bottle of Bronze The Red Eyes got
up to do part 2 of their SAS spot and again I must take my
hat off to this lot for doubling up on the wonderful performances.
After last nights excellent outing I was more than a little
expectant of today’s set and was not disappointed in
the slightest. Truly magnificent and this time I took a long
good look at each individual member strut their stuff. All
played their part quite wonderfully with the drummer an exceptional
artiste quite skilled and highly energetic in giving 110%.
Not one bad song and the cover of ‘Situations’
once again showed these guys are no mugs when it comes to
nailing a tune. The two performances that The Red Eyes have
graced the SAS with are ones I will take great pride in and
the fact that all bands were playing blinders proves the stature
of this drastically disregarded outfit. The scene should hang
its head in shame!
The
John Player Specials added a sudden tangent for the crowd
and gave a solid performance despite the absence of the trombonist.
I must say the brass man was missed but it didn’t stop
the remaining trio putting a corking set together with ‘Knockin’
On Wood’, ‘Identification’ and ‘Bad
Town Melodies’ the pick. A bag of talent here but a
procrastinating, unfocused thread detected and this may hinder
some massive progress the JPS machine could make. Maybe I
am wrong but I don’t think so and reading this I hope
it gives them the kick up the arse they need because they
are too good to go to waste and it is always sad to see potential
not fully maximised. A real great band this and loads to come
if they tap into what they have an abundance of - TALENT!
Break
time and a trip to the Off-Licence to get a bronze top up.
A bit of green warped time a little but the two bottles of
sherry were had and brought safely back to the gigging arena.
Before re-entering the fray we were distracted by shouts from
the car park just outside the Thatched. Upon turning two heads
appeared from behind the bushes with faces split by grins
a mile long. Steve and Sharrock from Flat Back Four (who are
on Sundays SAS) were duly identified and a quick exchange
of drink downed so far was had. Apparently four cans of Breaker,
2 bottles of Merrydown and a bottle of Bronze had been sunk
with a whole lot more to come. Nice work indeed and almost
guaranteeing them a slot on all future SAS gigs ha, ha. A
nice chat with Chris from Gimp Fist was also had and he gave
me a hoodie I had been waiting for for the last few months.
Really nice gesture as it was free and the vibes on the scene
are always good regarding Chris and his band. Can’t
wait for tonight’s viewing.
More ale and bronze as the middle day of the SAS is always
the official ‘get caned’ day and The Dangerous
Aces were up and at it. These guys are one of the newest bands
on the scene and are gradually getting it together despite
the guitarist’s bouts of insanity and today’s
line-up change. This was a decent effort and at last we can
see the DA’s on an up-curve that seems set to stay.
There were several loose moments but this will never change
if guitar maestro Medicine Stu continues with his on-stage
fits of mania. The positive thing about this is that the shows
are always unpredictable and lively and there are some damn
fine tunes tucked away in the set that are just beginning
to hatch into prominence and peck at the punters peckers.
The band is a hotch-potch of noodles but I like them and that
guarantees further SAS exploits as far as I’m concerned.
Skiprat
next and the fact that these guys are playing is down to the
slight difference in tempo they offer and the fuckin' excellent
spirit they displayed last year in supporting loads of bands.
The feedback I got last year was totally positive and again
this time around the crowd lapped it up and came to me afterwards
asking 'Where did you find these guys then?' Always a good
sign and Skiprat came and did the business again. With a few
drinks in my belly the alcho-fuel was starting to kick in
so the second half of the set was indeed sketchy but I remember
having no complaints at all about what I saw. The SAS should
be moving over their way real soon and methinks a damn fine
slot for these guys will be offered. The reggae-esque sounds
in certain parts is most welcome and again adds diversity
to the days simmering soup.
Inside
and a quick change, a long drink and with blazed eyes I watched
The Despondents crack out a set that was a heady rock ‘n’
roll punk mix to wake the most sozzled heads. Things were
going mighty well today and the raging current of musical
talent came flowing with this quality set. ‘Advice’
is straight to the point and a broken guitar string didn’t
hinder the set too much with 'California' and 'Schizophrenia'
both shining tributes to this bands skill. A nice slant and
obviously worth more SAS gigs.
A
band I was really anticipating tonight were The Mispelt and
they didn’t disappoint. Very tight and with oodles of
melody this quality unit breezed through their set with professional
ease and ‘Drive It Like You Stole It’ was just
fuckin’ awesome. It’s all change in the Mispelt
camp with a line-up and name change imminent. A sneak preview
was given tonight when the frontlady let rip on a couple of
songs and ‘WOW’ what a difference it made. Already
impressed I had no idea where further improvements could be
made but this bold risk I feel will pay massive rewards and
the future is looking mighty rosy for this band. I have them
on again in two weeks at Halifax and am looking forward to
it no end where I hope the frontgirl does the whole show.
A quality band soaked in experience and a must see.
Gimp
Fist were another big anticipation for me and I was totally
blown away by what I saw. Pure, unadulterated punk rock with
a subtlety of tune way ahead of it’s former predecessors
in the Oi arena. If ever there was a band that had a gifted
touch of class then this is it. Every fuckin’ tune rocked
me to the very core and if they weren’t in such great
company tonight some poor bands could have had a real roasting.
Thankfully the other bands around Gimp Fist performed admirably
and it’s a good job they did. What a quality squadron
and what an abundance of top notch tunes. ‘War On The
Streets, ‘Just Another Country’ and the epic ‘More
War Stories’ were massive moments of the night and the
finale of ‘Razors In The Night’ and ‘Oi,
Oi, Oi’ was immense. Great lads and great musicians
knocking out bone-jarring songs oozing melody and spirit –
what more does the SAS have to offer.
Due
to a ceremonial opening for the last bottle of bronze of the
day, including a photo-shoot, I missed the first couple of
tracks by Most Likely To Fail. However when I did enter the
venue on unsteady legs I did witness a very good outburst
indeed. MLTF seemed to have the crowd’s attention and
were knocking out one of their best sets to date. ‘Weekend
Rebel’ was a peach and ‘Most Likely To Fail’
was brilliant. A real sensation of satisfaction came over
me at this point as this was a band I had put a fair amount
of time and effort into and it was nice to see them getting
a just deserved reception. I gazed on filled with pride as
the lads revelled in the appreciative atmosphere. A nice part
of the day and one to savour.
And finally… Due
to a late pull out of the arranged headline band it fell to
Dangers Close to close the second day’s proceedings.
I had no worries for them and when they hit the stage and
burst into ‘Burn’ I knew no problems would be
encountered. A fine band led by a wonderfully striking frontlady
who looked and sounded quite magnificent. I couldn’t
have asked for a better finale and the quavering vocals were
almost hypnotic at times as they thrived on the great tunes
being fed by the accomplished musicians behind. ‘Daily
Grind’ and the enormously emotive ‘Christina’
were fuckin’ brilliant as were each and every track.
Can’t fault them really and again everything I expected
came to fruition with this outing. Hopefully the eye-candy
appeal didn’t detract from a superb set and true judgements
were made and not distorted by beer sodden hormones. Either
way I suspect they will only get positive feedback.
Tired
and hungry the day ended and afterwards 4 of us went back
to my place for a cup of cha and a natter. Dean, Tim and Sharrock
left and I went to bed with buzzing ears and a sore head but….a
very proud heart.
What
a great, long day and easily proving the underdogs value to
all present. Lots still to do with the SAS machine but immediate
requests are just for more of the same tomorrow - I hope so
– wow!
Another
early start and after a few chats at the gaff and a cup of much
welcome tea (cheers Paul) the first bands arrived. That is except
for the opening act who go by the name of The Fortunate. A shuffle
of the early timetable and a few more natters and as Stompin’
Ground were almost ready to take to the stage The Fortunate arrived.
Explanations regarding a weekend of bad luck were received, believed
and put to one side as I rushed the band into quick action. It
transpired at this point that their singer wasn’t coming
so they were just doing an instrumental set. Having come all the
way from Birminham, with no singer, I really couldn’t fault
the attitude and duly they got up and got on with what was a fair
old effort. The high point was when Matt from Stompin’ Ground
decided to take charge of vocal duties during a great rendition
of The Clash epic ‘White Riot’. It sounded excellent
and helped relieve any nerves the band were suffering from. The
crowd were really welcoming and applauded the band for each and
every effort and well deserved it was. They will be back and next
timed armed to the teeth.
A
quick tactical switch and The Bullet Kings were up and at it delivering
11 top notch tunes and really shaking up the days proceedings.
These 3 big bastards don’t hang about and it ain’t
all brutality. There are some cute touches in the melting pot
and some really melodic tunes. ‘Terror Holiday’, ‘London
Town’, ‘Riot’, ‘Words’, ‘My
Country’ and ‘Skrew The World’ are just a taster
of the quality ditty’s rattled out and how the crowd loved
it. From the young to the old in two bands and again another SAS
ethos. All ages, all styles – as long as the punk strain
runs true you will be asked to do more. Best yet perhaps and still
plenty of gas in the tank to keep the whipper-snappers on their
toes.
Stompin’
Ground next and with a very good effort at pulling the punters
in they knocked out their best set to date by far. Unbelievable
the improvement shown here as this fledgling band has come on
in leaps and bounds. Hard workers, never too arrogant to take
advice and with a youthful determination this 3-piece should really
take self pride in the strides they have taken to reach this situation
so early in the bands career. Several punters remarked upon how
they were amazed at the transformation shown. Brilliant and if,
like some promoters, I would have disregarded this band on a few
hearings then they might well have become despondent, disillusioned
and wrapped it up. Here we were all given hard evidence as to
why it is worth supporting the underdog and this set was a pure
fuckin’ joy. For their commitment rewards will come and
hopefully from many other peddlers of punk rock. Incredibly satisfying
and keep on the up-turn and who knows what I will witness next
time.
Steady
skankers The Fractions followed and again, as usual, a great ska
set was dished out in convincing style. This band seems to grow
and grow and in true Spit and Sawdust fashion had no qualms about
playing so early in the day despite headlining last year. That’s
how the tour operates and these lot put in the usual effort with
a string of entertaining numbers. ‘We Were Kings’
the best of the lot for me.
In
need of a second wind the pace became altogether slower yet more
unhinged as Matt Woods took to the stage and played his unique
brand of one man deviancy to a grinning crowd. The start was excellent,
the middle part entertaining and the latter end a bit of a patchwork.
The John Cooper Clarke look-alike who assisted on a couple of
numbers with a mouth twanging device (what the fuck are they called
- Jews Harp or something) was a great inclusion and a couple of
one-liners shook the funny bone of the most dour punter. ‘Burn
Old People’ is always my fave and the only flaw was down
to myself in letting Matt go on for too long and finally stutter
to a standstill. He had the audience in the crack of his arse
but the unrehearsed act let them roll down his trouser leg and
escape. Sorry Matt and next time we’ll have you sharpened
up and ready to roll. Still a great comical interlude and of course
he’s coming back for more.
With
a happy pile of punters (although the crowd was pretty wank compared
to what I expected) the planned break was boycotted due to the
earlier shenanigans and late start. Sense of Urgency suffered
the tea-time break and played to, perhaps the worst crowd of the
weekend, a fact with which I was disgusted because these fine
troopers deserved much better. Don’t get me wrong there
were a few in, and those that were gave excellent feedback. Fuckin’
hell even Carl from The Bullet Kings and AFS enjoyed it and he
ain’t easy to please at all. I thought this lot were truly
excellent and are becoming one of my favourite skank-edged bands.
Why they don’t get more gigs with the Manchester brigade
is beyond me but they are one of the best out there. The fontmans
jigging around and cock-sure approach is backed by some fine players
and the songs are just growing on me quicker than a sexual rash.
Pissed or sober you get a value, quick set from SOU and I loved
this one. Pity they were so wrecked from the night before and
had to fuck off but everyone isn’t a glutton for punishment
like me.
So
to AFS. This band I have been following since their early performances
and in truth – I am a fan. The approach is simplistic and
the emphasis is on short, sharp punchy tunes with a few more cultured
tunes thrown in for good measure and variety. The Arthritic Foot
Soldiers were bang on again and this terse, ten song treat oozed
no-nonsense quality with some old faves on show as well as 3 new
offerings. The crème de la crème of today’s
showing were the amusing ‘God Squad’, the ambiguous
‘Nobodies’ and the very classy ‘Dead Man Walking’.
Closing with 3 new tracks displayed confidence and belief –
2 expected ingredients I have come to know only too well.
With
RSI I continue this review and if you are still reading then have
a fungal thumbs up, an arthritic thumb yes, but a thumb nonetheless.
Flat
Back Four are a band I luckily came across, gave a gig to and
have proved themselves a real asset to all the gigs they have
played for me since. In fact the 9 times I have seen them I am
sure have all been on one of my gigs bar one. That I think speaks
volumes for this lot and the amount of gigs this lot put in and
are always willing to help out at is admirable. Top blokes with
top tunes – how easy can a promoters life be and with the
frontman and bassist having recently discovered the pleasures
of the bronze they are always going to get more gig offers from
me. These are a real thoroughbred band who you can guarantee will
always last the course and pull out some fantastic moments along
the way. The songs are quite varied, constantly asking questions
both of the audience and the players. ‘Burn The Flag’
opened tonight but for me the real cutlets from the fattened sow
were ‘Share The Wealth’ – great fuckin’
principal and says a lot more than you realise, ‘If I Die
Tonight’ – a clever piece with sombre tones, ‘Jeff’s
Rock Night’ – an intro piece ya bastards but still
quality, ‘Thatto Heath’ – sing-a-long time and
always a winner, and the remarkable ‘Psalm 23’ –
the most requested compilation piece which says it all. There’s
not much else to say and if any band deserves a piece of the success
pie then give these a double portion.
The
Revenge Of The Psychotronic Man burst in and just as the set was
kickin’ in, Tim ‘Punk4Life’ Davies drained of
colour and set about having an epileptic seizure. Selfish, selfish
bastard and if it wasn’t for the £100 I stole out
of his wallet whilst he was fitting I would have been mighty miffed.
Seriously though, seeing Tim fit was quite awful and as myself
and Wilf placed him out of the way the gig carried on. I nipped
upstairs to explain to landlord Banjo that the prostrate Tim he
may discover downstairs was indeed fitting and not smashed out
of his skull on bronze. Hard to believe I know but entirely true.
Banjo, completely unmoved and with a deviant flicker of a smile
across his mouth, acknowledged the situation and set about eating
his tea and dreaming of alcohol. What a guy!
What
I did see of ROPM sounded mighty fine and it just seems we may
see them getting back to the levels they fell from nearly a year
ago. We shall see.
Just
Panic next and a great performance that was again marred by an
equipment mishap (guitar string gone twang) but other than that
this wasn’t half bad. The songs from the latest CD sounded
mighty fine and if the set would have had a bit more fluidity
then we would have had a real crackerjack. Still good though and
several comments were made as regards the efficiency and craftsmanship
of this outfit. It’ll do for me.
2
bands to go and it was about halfway through the last band that
my attention span started dwindling. Fatigue had set in and with
the prospect of a week of work, tennis and long walks ahead the
thought of finishing the 3 days, getting home for a cup of cha
and then to bed for a good snooze became ever more distracting.
What better way to be kept awake than by the last two bands the
first of which was the veritable stimulant I regard as The Shadowcops.
A slighty altered set tonight but a power punching parade of rampant
riffs and mesmerising technical skill nonetheless. Every tune
was a barnstormer and bomb-blasted the on-lookers eardrums with
earth trembling uproars of the highest order. ‘Fulgura Frango
( I break lightning) ’, ‘Calling Out The Elders’,
‘Putsch’, ‘Green Light’, ‘Recurrent
Blockades’, ‘Folie a Deux (a shared madness of two
persons) ’ and ‘My, My, My, My Personal Ennui’
raped the soundscape and again I stood back and admired a band
that was pumping all pistons to the hilt. A style seldom seen
on the streetpunk scene but one much welcome. Even though I adore
this band the next slot will be lower down the order – hard
for me but true to the tour – will they take it –
tune in next year to find out?
And
finally we come to the closing act of this 3 day blitz and what
better way to close the curtain on this theatre of passion than
with the unpolished, unpretentious and down to earth noise of
the 2 Sick Monkeys. What a great duo these two ‘erberts
are! With the twitchy Pete up front blasting his bass to pieces
and interacting quite magnificently with the crowd and the subdued
Fred at the back being as ever unassuming and holding the set
together. This was truly fuckin’ excellent and all the principals
of punk are thrown into this mix and come out with a winning flavour.
Unorthodox but entirely committed, this brace of punky fuckers
really do shift out a noise most 4-piece bands would be more than
happy with. The songs are electric and truly come in to their
own in the live arena due to the fact Pete is a master bassman
constantly grimacing with effort and belief and the drummer is
an accomplished artiste in his own right. I couldn’t have
wished for a more truer full stop to this weekends SAS statement
and the pleasure on the remaining punters faces at the end was
memorable. ‘Too Many Secrets’ is my favourite and
the crowd involving chants of ‘Fuck Off’ reflected
the charming and enticing nature of frontman Pete – a real
charismatic dude who keeps it as real as you want it and that
my friends will do for me.
Chit
chats, removal of the backdrops and a stroll to the chippy (which
was full so that’s me starving then) and Tim was taken home.
I went home with my family – ears buzzing, legs aching,
clemmed (Northern slang for hungry) and unprepared for the next
days work. Another
SAS jaunt done and dusted and put down, by me anyhow, as a fuckin’
success. ‘Why’ you may ask and my response is ‘Why
the hell not’? The 3 days were up against some stiff competition
and still went ahead! Because despite the competition this was
where the best punk bands played and it was done with fantastic
talent and in front of a promoter who took time to watch them
all and who thoroughly believes in the punk ethos! Because this
weekend it was another two-fingered salute to the doubters, the
lethargic and the parasites! Because punk is for the street urchin
who likes it real and unassuming and no matter what some may think
and do this is the main principal of the tour. Because overall
the SAS says something and isn’t a run of the mill adventure
going through the motions. Because some of us are not happy to
watch scenesters and seekers of the safety net ruin something
so precious. Because it susses the false and supports the true.
Because its fuckin’ SAS – Spit And Sawdust –
100% unaffected – SAS – Sincerely A Struggle –
that’s how it is – SAS – Stubborn And Stupid
– but not misdirected!
Thank
you and full fuckin’ stop!
 |
Review
written by OMD April 2008
Keep
the faith or kill yourself being a fraud. |
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